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| Format: |
Hardcover |
| Number of pages: |
120 |
| Author: |
Orsenna, Erik |
| Illustrator: |
Black, Moishe |
| Publisher: |
George Braziller |
| Date Published: |
1/05/2004 |
| Language: |
English |
A grammar lesson disguised as a short novel (more precisely, a novella in novel’s clothing), Grammar is a Gentle, Sweet Song follows the adventures of a brother and sister, Thomas and Jeanne, after being shipwrecked on an extraordinary island where words prance around like living beings and you can buy the perfect word for any occasion at the market. Rendered mute by the trauma of their shipwreck, the siblings, under the kindly influence of Monsieur Henri, one of the island’s residents, seek to unlock their tongues by exploring the mysteries of the island. Among the wonders they encounter is the idea of marriages between words:
"To be frank, they were pretty odd marriages. More like friendships. It reminded me of how schools used to be long ago, before they were co-ed. In the kingdom of French words, the boys stay with the boys and the girls with the girls... The article would go into the City Hall through one door and the adjective through another. The last to arrive was the noun. All three would disappear from sight: the roof of the building hid them from view... They would come back out together holding hands and with a complete agreement — Le chateau enchante, "the enchanted castle" — or all feminine — La maison hantee, "the haunted house"... " And, later, this lovely bit of whimsy:
"I’m going to let you in on a secret: adjectives are deeply sentimental. They think their marriage will last forever...which just shows how little they know the congenital infidelity of the nouns, that bunch of dedicated bachelors, changing their qualifiers as casually as their socks. "
Not everything in Grammar is a Gentle, Sweet Song has the same playfulness, and the book falters when it becomes serious, but the playful sections more than make up for the miscues. The siblings are interesting characters, for sure, but the pleasures of the book exist mostly on the level of metaphor and are considerable.
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